I've been reading some good books lately. Now I will tell you what those books are. First I read Cameron Crowe's Fast Times at Ridgemont High, a first edition of which my wife gave to me for my 40th birthday. For those who don't know, the famous movie was in fact based on a non-fiction book that Crowe researched by going undercover as a high school student in San Diego as a 22-year old. The book is very different from the movie in all sorts of ways, and although the movie is far more memorable, the book was pretty enjoyable too, though perhaps not worth the $250 that it sells for (my plan is, over the course of my lifetime, to get Sean Penn, Nicolas Cage, Forrest Whittaker, and Jennifer Jason Leigh, the four cast members of FTRH who subsequently went on to get nominations for best actor/actress (the three men won the award) to sign the book, thus increasing its value to something approaching a Warhol Marilyn painting or so, and thereby justifying the ridiculous expense of getting the book in the first place).
I continued my reading with another volume set in a high school, though this one wasn't quite as wacky: the new book about Columbine by Dave Cullen entitled, well, umm, "Columbine." The whole Columbine event is so incredibly fascinating, and the book is riveting. I think it took me an hour to read it or something (not really). It turns out that if you're like me, and the information you recall about Columbine was gathered just from your run of the mill news reports, then almost everything you think you know about it is wrong. For example, while there was a trench coat mafia at the school, Harris and Klebold weren't part of it. And while you might tend to think of the two killers as a piece, they were in fact incredibly different kids. If I gave stars to books whereby the stars represented how much I liked the book, then this book would get lots and lots of stars.
So would "Into the Wild," my next book. Though I read "Into Thin Air" when that was out and hot, I somehow never read this one--nor saw the movie--and it was another riveting book, which I had to read in tandem with my wife because she picked it up and started looking at it and also couldn't put it down and was ahead of me the whole time and would do that thing of looking over your shoulder and seeing where you were in the book and saying, "oooooh, this is a good part, want me to tell you what happens? oooooh." Although of course the wilderness guy who died by himself in Alaska at 22 or whatever was totally different from Klebold and Harris in a million different ways, there were some similarities--young kids who thought they were totally unique and superior than almost everyone else and wrote and wrote and wrote about their uniqueness in journals they left for people to read after they were dead--and so reading this book after reading the Columbine one was particularly interesting.
Now I'm reading the novel "Lowboy" by John Wray about a schizophrenic kid who spends all his time in the NY subway. It's fine, though I'm not really that into it yet. Mostly, though, what it reminds me of, because it's set largely underground, is the great Hungarian movie "Kontroll" about the Budapest Metro, which takes place entirely and completely underground. I learned about this movie because of what happened to me in Budapest. My wife and son and in-laws and I were on a weekend trip in Budapest from Krakow where we were living. Budapest is a splendid city, but its subway has this rule--unlike any other subway in the world I've ever been on, and I've been on a lot--that you have to pay for a separate ticket if you change lines. We all changed lines, and in fact when we were going to the second line a subway worker looked at the ticket we had validated to get on the first line and waved us on, but when we went to exit, some not-officially-dressed guy and his sidekick asked to see our tickets and informed us in broken English that we were in violation of the rules for not getting a second ticket validated when we changed lines. He said we owed him something like seventeen million dollars.
Okay, not seventeen million dollars. But maybe forty dollars each, so like 200 dollars.
If I had been traveling with my family, we are all scaredy cats and would have just given him the money or maybe even offered to give him more money than he asked for and also perhaps our shoes just to get out of there, but the thing about my wife and her family is that they do not like to give money to people when they feel they are being screwed. And so I knew that we were going to argue with these guys until either they let us go or brought us to the firing squad. We argued with them for probably forty minutes about how the guy in the station had waved us on after looking at our ticket, etc. etc., and I even called the US embassy for help, which was useless because I got some 26 year old on the line who couldn't have gotten himself out of a paper bag much less us out of a conflict with the fake Hungarian metro security guards. We kept insisting that the guys call the police, and they kept saying they were going to, but they never did, which made us pretty confident that they were just screwing with us. We became sure of this when they offered to let us go for half the money they had originally asked for. Come on, who are you kidding? Finally, after forty minutes the guy crumpled up our tickets, threw them on the ground, said "Go!" and then also yelled "US people not right!"
I have to give my then-four-year old son credit for his patience. He likes playing and stuff, but he doesn't generally like arguing with Hungarian pseudo-police for forty minutes.
Anyway, when we got back to Krakow, we told some European friends about the incident, and they told us that the Budapest Metro is notorious for this kind of thing, and that there are these semi-official guys who wander the stations and look at peoples' tickets and try to give them huge fines. The only people who pay them are the scaredy-cat tourists like me when I'm not accompanied by my wife. The movie "Kontroll" is about one of these guys, and so we watched it as soon as we could. Again: lots of stars.